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  • Between black and white: Rethinking Coloured identity

    African Identities
    Volume 1, Issue 2 ()
    pages
    DOI: /

    Pal Ahluwalia, Pro Vice Chancellor of Education, Arts and Social Sciences
    University of South Australia

    Abebe Zegeye
    Goldsmiths College, University of London

    Identity who we are, where we come from, what we are is difficult to maintain &#; we are the &#;other&#;, an opposite, a flaw in the geometry of resettlement, an exodus.

    (Said 16 17)

    The photographs

    Stephen Greenblatt offers two models for the exhibition of works of art resonance and wonder. Resonance, he argues, equates with the &#;power of the displayed object to reach out beyond its formal boundaries to a larger world, to evoke in the viewer the complex, dynamic cultural forces from which it has emerged and for which it may be taken by a viewer to stand&#; (Greenblatt 42).

    Clearly a work of art that evokes such resonance creates its own context albeit that it is far removed from its original site.